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“My Family” and “Soul Food”: Families in Film
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A 5 page paper which examines different aspects of family life as it is portrayed in the two films “My Family” and “Soul Food.” The paper discusses family development stages, health implications, and implications for nursing as presented in the films. Bibliography lists 3 sources.
Filename: RAsoulfd.rtf

“Mystic River” and “Monster’s Ball”: Ideas of Patriarchy
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A 4 page paper which examines the male characters in the films “Mystic River” and “Monster’s Ball” as it relates to feminist theories and patriarchal ideas. The work discussed in this examination is “Feminism Is for Everybody: Passionate Politics” by Bell Hooks. No additional sources cited.
Filename: RAmystic.rtf

“Near Dark” and the Threat of the Monster
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This 7 page report discusses the 1987 horror film “Near Dark” and how it relates to film critic Robin Wood’s assertion that the formula for horror films is “normality is threatened by the Monster” -- whoever and whatever that monster might be. There is much more to this movie, directed by Kathryn Bigelow, than one would initially assume. Perhaps the single most disconcerting aspect of “Near Dark” is that it is nothing like what any member of the audience has come to expect from a “traditional” vampire movie. Bibliography lists 2 sources.
Filename: BWnrdark.rtf

“Nixon, The Man, The Myth”: A Review of the Oliver Stone Movie
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A 6 page review of the Oliver Stone movie starring Anthony Hopkins, Joan Allen, Powers Boothe, James Woods and J.T. Walsh. The reviewer contends that, as unfortunately the case in this movie, Nixon is most often remembered for his weaknesses more so than for his accomplishments. Never-the-less, while it is the more questionable aspects of Nixon’s life which Stone chooses to capitalize upon, in doing so he has brought to life many other aspects of Richard Nixon which too many of us have forgotten. In all, in fact, Oliver Stone’s film is an excellent introduction to a very complex man. While Stone emphasizes some of Nixon’s more sordid moments in politics, he provides enough biographical detail to make his movie not only interesting but useful. Bibliography lists 3 sources.
Filename: PPnixnMv.rtf

“Now, Voyager” and “Cleo From 5 to 7”
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A 6 page paper which examines the films “Now, Voyager,” and “Cleo From 5 to 7” and discusses how each may, or may not, involve the search for female subjectivity. No additional sources cited.
Filename: RAcleo.wps

“Old Yeller” and Texas
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A 4 page paper which summarizes "Old Yeller" and examines the portrayal of Texas in the film. Bibliography lists 4 additional sources.
Filename: RAyeller.rtf

“Oriental culture in American film”
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A five page paper which looks at the way in which Oriental and Asian characters were portrayed in American film, particularly in the period prior to 1940, and the extent to which stereotyping was consistently present in the delineation of Oriental characters. Bibliography lists 5 sources
Filename: JLChinafilm.rtf

“Passion of Christ”
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A 4 page analysis of the film “Passion of Christ.” Bibliography lists 3 sources.
Filename: RApass2.rtf

“Pride and Prejudice” and “Bridget Jones’ Diary”
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An 8 page paper which compares and contrasts “Pride and Prejudice” and “Bridget Jones’ Diary” as they involve the themes presented by Jane Austen in her novel. Bibliography lists 8 sources.
Filename: RAjdiary.rtf

“Prince of Tides” and General Systems Theory
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An 8 page paper which examines various characters and relationships from the film “Prince of Tides” and discusses how they relate to different aspects of general systems theory. Bibliography lists 5 sources.
Filename: RAtides. rtf

“Public Service Broadcasting”
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A five page paper which considers the duties and responsibilities of public service broadcasters, particularly in relation to the advent of satellite television and the wider degree of choice available to the viewing audience. Bibliography lists 5 sources.
Filename: JLpbs.wps

“Raging Bull” and “When We Were Kings” -- Portrayals of Boxing and Boxers
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This 6 page report discusses and compares Martin Scorcese’s 1980 portrayal of Jake La Motta in “Raging Bull” with “When We Were Kings” (1996), an Oscar-winning documentary that tells the story of what was known in 1974 as the “Rumble in the Jungle.” It was a fight that pitted two of the greatest boxers the world has ever seen against one another -- Muhammad Ali and George Foreman. The report addresses what each film has to say about both the sport of boxing and the actual boxers. Bibliography lists 8 sources.
Filename: BWbullkg.rtf

“Rear Window” and “Blow-Up”
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This 4 page paper discussed the similarities between the films “Rear Window” by Alfred Hitchcock and “Blow-Up” directed by Michelangelo Antonioni. Bibliography lists 3 sources.
Filename: HVrerblo.rtf

“Review of Doug Liman’s Go , with reference to its elements of high art”
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A five page paper which looks at the film Go and analyses it with reference to the various elements which define a work as high art, such as universality of meaning, profundity, complexity and cross-culturalism, in order to assess whether the film falls into this category. Bibliography lists 2 sources
Filename: JLGo.wps

“Rome, Open City” and “The Bicycle Thieves”
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A 4 page comparison and contrast of the film “Rome: Open City” (1945) and “The Bicycle Thieves” (1948). Bibliography lists 3 sources.
Filename: RAbicyc.rtf

“Salt of the Earth” (1954) -- More than a Blacklisted Film
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This 5 page report discusses the 1954 blacklisted movie that tells the story of a strike among Hispanic mine workers at the Empire Zinc Corporation in New Mexico. A Mexican American family finds itself in the middle of the bitterness caused by the strike. As a political statement, it demonstrated the inter-connection that exists between working class, feminist, environmental and Latino concerns, and yet it was denounced for its “communist overtones” and banned from the public until the late 1960s. The movies writers, producer, and director had all been blacklisted and the star, the Mexican actress Rosaura Revueltas, was deported. No additional sources.
Filename: BWsaltof.wps

“Saturday Night, Sunday Morning”: A Review of the Class and Gender Issues Presented in the Film Directed by Karl Reisz
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A 6 page review of the film and the class and gender issues which it raises. The author of this paper expands on key aspects of the film to present an overview of the societal issues confronting postwar England. Particular attention is devoted to expounding on the gender issues which were arising during this time and to acquainting these issues with the growing feminist movement. Bibliography lists 4 sources.
Filename: PPsatNt.rtf

“Schindler’s List and Dead Man Walking”
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A five page paper which looks firstly at the film version of Schindler’s List, and the criticism that it was motivated by commercial rather than artistic concerns, and secondly at the film of Dead Man Walking, in terms of the way in which the director uses the interaction between the characters to convey his message about social justice. Bibliography lists 4 sources
Filename: JLschindler.wps

“Schindler’s List”
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A 3 page paper which presents a reaction to the film “Schindler’s List.” No additional sources cited.
Filename: RAshinr.rtf

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